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Production: 400 Cases Price: $19 Vineyard: Kismet Vineyard (Osoyoos) / Three Mile Vineyard (Naramata) Variety: Merlot (100%) Relaxed Peg Leg Trousers Beige Stradivarius 28hAy

ABV: 14.8% TA: 5.9 g/L RS: 5.2 g/L PH: 3.68

Pink wine is life. The inaugural vintage of VUW Rosé, from fruit grown in the iconic, limestone-rich Sperling vineyard, slides in gracefully beside the most elegant rosés of Provence though an extra burst of pure fruit and bright acidity makes it distinctly BC.

Production: 200 cases Price: $17 Vineyard: Sperling Estate Vineyard (East Kelowna) Variety: Pinot Noir / Bacchus View Tech Sheet

ABV: 10.2% TA: 6.5 g/L RS: 4.1 g/L PH: 3.2

A selection of one-off, limited release collaborations joining our urban winery with like-minded producers from around the province.

A warm, ruby hue of medium intensity greets the eye. Bright notes of violets burst from the glass giving way to aromas of black cherry, clove, and cedar. The palate is fresh, pure, and structured with a concentrated, juicy finish. A wine of both power and restraint.

Production: 50 cases Price: $19 Vineyard: Serendipity Winery (Naramata) Variety: Pinot Noir (100%)

ABV: 13.3% TA: 6.0 g/L RS: 1.5 g/L PH: 3.79

Bright golden colour hints at the ripeness of the fruit. The nose is intense and layered. Notes of yellow apples, Meyer lemons, and quince paste overlay a well-integrated base of vanilla and toffee. The wine comes alive on the palate. Fresh, vibrant acidity runs through a rounded, slightly creamy mouth-feel. The lingering finish presents flavours of cantaloupe giving way to mouth-watering notes of preserved lemon. A well-rounded Chardonnay that marries purity of fruit with complexity gained from partial oak aging.

Production: 120 cases Price: $24 Vineyard: Castle Vineyard (Oliver/Golden Mile), Kuipers Vineyard (Kelowna), Blind Creek Vineyard (Cawston/Similkameen Valley) Variety: Chardonnay (100%)

ABV: 14.4% TA: 5.4 g/L RS: 6.23 g/L PH: 3.56

A pretty pale orange to golden hue in the glass with a fine and persistent bead. The nose presents variations on green apples – apple cider, baked apple pie – as well as deeper notes of orange marmalade and fresh baked bread. On the palate, the wine is lean and refreshing, showing hints of under-ripe strawberry and just barely there natural fruit sweetness. The long finish leads with the crisp acidity of pink grapefruit, a nod to the wine’s unique Fraser Valley terroir.

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The Corleone family and then some got back together Saturday night to recount the making of “ The Godfather ” during the Tribeca Film Festival’s closing night.

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, Robert De Niro , Al Pacino , James Caan, Robert Duvall, Diane Keatonand Talia Shire took the stage to discuss the film’s complicatedorigin story during the panel hosted by Taylor Hackford.

Paramount bought “ The Godfather ,” Hackford intro-ed the talk, but they didn’t believe that mafia movies could work.

“I was attracted to it because I thought it was a foreign author, and an intellectual book about power,”Coppola recalled seeing the book before he had signed onto the film adaptation. But upon cracking the cover, hehad some hesitations. “I was disappointed in the book when I first read it because it’s very long,” he said. “Much of the book — about a third — is about Lucy Mancini’s anatomy.”

The director remembered members of the cast and crew who have passed since the films were made, including Marlon Brando who hovered behind the panel in a framed photo.

Shire, Coppola’s sister, remembered her involvement in the movie was a bit contentious. “I asked for an audition,” she remembered. “It was tough for me, and it was tougher for my brother. The director’s job was up for grabs.”

Coppola concurred that the film’s origin had many moving parts, not limited to his own job. “The cast was always up in the air and there was a lot of controversy,” he said. The director remembered a moment in the creation when he was sure he would be let go by Paramount. “As long as I’m going to get fired, probably, my sister should at least get a chance,” he said.

The decision to cast Pacino as Michael Corleone was especially contentious, the director said. He had met Pacino in San Francisco and became obsessed with casting him in the film. “I just saw his face,” he said. “Once you see someone in the role, it’s very hard to get that out of your head.”

But the director’s support was simply not enough. Pacino recalled “countless” screen tests. “It seemed like I was always testing,” Pacino said. “I was still testing after I got the part.”

Pacino also said that he wasmore interested in playing Sonny. “I thought, [Michael] is not a good role,” Pacino said. He also remembered having a breakdown with Keaton after filming one night. “We’re gone. It’s over. This is the worst film ever made,” he remembered sayingat the time.

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